Feist hides her understated melancholy in samples and declarative yells, a new aspect of her songwriting acumen. Songs actively turn their noses at smooth transitions. It feels entirely within her creativity realm, yet Pleasure continues to surprise over the course of its runtime. But this album represents how many songs I wrote since Metals - there’s no more.” By swatting away cushioned production and instrumentation pile-ons, she creates the illusion of barren demos while carefully threading them with emotional depth and spontaneity that mirrors life. “I tried to keep a journal while making this record because I’ve learned my memory about things can be so skewed,” she laughs. Most of all, the album deviates from what’s expected, be it bailing on the drum-heavy structure of 2011’s Metals or the pop choruses of 2007’s The Reminder, and Feist can’t remember why. Though it rides on otherwise familiar Feist tricks - warm guitar strums, whispery vocals, exclamations that burst with spirit - Pleasure channels contemplative lo-fi it’s both rough around the edges and intentionally intimate. It’s been six years since the last release, and her upcoming fifth album, Pleasure, changes that narrative. On her last four albums, Feist took calculated approaches in and out of the studio to organize her feelings, to tell her story, to create a musical theme. Pausing is a sign of proper reflection and thought-out responses, but to her, it’s a sign of unpreparedness and a new feeling. “Like what you read about in the Victorian books to pass a season by the seaside.”īut as our conversation continues, Feist turns to apologies for taking a while to answer my questions. So when she answers my Skype call from an apartment she rented in California, palm trees towering behind her while the sun blankets the rest of the back patio, she’s as easygoing as expected. Feist’s voice carries the tone of someone who prioritizes patience and kindness without acting too serious. She speaks with a relaxing cadence, the same way she sings on her albums, and there’s an airy quality to her speech, like she could spring from her seat at any moment and begin to twirl playfully around the room. While it may not sway new listeners it is an interesting collection of polaroids that will likely keep old fans satiated.Leslie Feist has a special type of charm. While this isn’t an excellent release or a swathe of new material, it’s a few pounds of flesh to chew on, and a lot of it is certainly far from being castaway material. Much of Broken Social Scene’s catalogue can pull up emotional stuff from the depths, given their emotive, soundtrack-like style that defies category, sometimes feeling like breakup music while at other times feeling like a first kiss. “National Anthem of Nowhere” which originally is a demo for guitarist Andrew Whiteman’s Apostle Of Hustle project, stokes the need to move to music, and is such an uppity little tune that even my pet bird goes mental every time it plays. “This House Is On Fire”, an outtake from 2010’s Forgiveness Rock Record is typically in form subtle beauty. While many B-sides albums can feel like a muddy soup of wildly different ingredients, Old Dead Young has been woven together with the care you’d normally find in a solid new release. Old Dead Young, while feeling much like a standalone album, is in reality a career spanning collection of unreleased tunes collected from the last 20 years. In the years since, BSS’s founders, Brendan Canning and Kevin Drew, along with a 19 strong evolving rotating cast of guest musicians have been adept at reinventing themselves with each recording. Their second release, You Forgot it in People was unlike anything I’d heard before. It’s been almost five years since Broken Social Scene have released any new material, and though Old Dead Young is far from new, it quells the thirst of those who are thirsting.įor the last two decades Broken Social Scene have been pushing against the boundaries of genre, releasing albums full of challenging, beautiful, chaotic, and anthemic tunes. BROKEN SOCIAL SCENE OLD DEAD YOUNG: B-SIDES & RARITIES ARTS & CRAFTS
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |